Great technique, but no soul

Great technique, but no soul

Musical theatre performers with a strong musical or instrumental background tend to be guilty of this most often: you've mastered the fine details of every note, rhythm, lyric and breath mark, but you've forgotten that the people watching you don't really care about that stuff - they want to feel something while you sing. You're pleased with yourself for singing your piece so perfectly, but you're getting feedback that you're boring to watch.

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